Showing posts with label Matthew Vaughn. Show all posts
Showing posts with label Matthew Vaughn. Show all posts

Thursday, June 4, 2015

The Chavs And The Chav-Nots

Year: 2015
Director: Matthew Vaughn
Cast: Taron Egerton, Colin Firth, Samuel L. Jackson
Run Time: 2 hours 9 minutes
MPAA Rating: R

Comic book movies are getting stale. Don't get me wrong, I dug Avengers 2 and Guardians of the Galaxy. But let's be honest. Do we need a third Spider-Man reboot? Do we need another sarcastic superhero fighting someone who has developed powers exactly the same but slightly stronger than his

Luckily we have Matthew Vaughn. Love him or hate him, he has a talent for making some of the more interesting comic adaptations scattered around the movie landscape. His style is rigorously anti-mainstream, full of blood and guts and a kind of ruthless energy that has been lost amid a litany of Iron Man sequels. But enough about superheroes. Kingsman: The Secret Service is a goddamn spy comic book movie and it is awesome.

And contrary to popular belief, no, it is not a sequel to The King's Speech.

Kingsman tells the story of young Eggsy (Taron Egerton), a thuggish British teen growing up in poverty. His father was a member of a secret spy agency known as the Kingsmen, the modern knights of the round table. When he is referred to this organization via Galahad (Colin Firth), he begins his training with a group of posh candidates who look down on him for his social status.

But when it becomes clear that the American tech mogul Valentine (Samuel L. Jackson) is going to use his ubiquitous technology to cull the Earth's population (ie. all the people not rich or noble enough to "deserve" life) with a frequency that turns people into insatiable, violent rage beasts, Eggsy might just be the only one noble, clever, and strong enough to defeat him.

Only the pure of heart and pure of ab are worthy to wield the sword of the Kingsmen.

The story is very been-there-done-that and Kingsman knows it. Its more meta moments are a bit weak and pandering, but as a pastiche of the greatest spies from James Bond to Jack Bauer, it's aces. It's zanily kinetic, no-holds-barred fun. 

Whether it's a girl with metal legs that can cut through a man like a knife through water, driving backwards through heavy British traffic, or a cavalcade of super cool gadgets (the likes of which have hardly been seen since the early Bond days), Kingsman ups the ante on the typical spy movie clichés, turning up the gas at every turn.

In typical Vaughn fashion, the action is a little more blood-soaked than the typical spy movies, especially those before the glorious rise of the 1980's. But never fear! Though the available grue is more than enough to satisfy the cravings of grotesquely depraved gorehounds like myself, it's also toned down enough to be palatable to all but the weakest stomachs. Basically, if you can handle putting a Hello Kitty Band-Aid on your cut, you can handle this movie. 

...More or less. There is one sequence where even I found the violence to be excessive, actually crossing the line between "over the top" and "maybe we should consider lowering the top." But save for that one slip-up, the violence is nothing less than a comic-fueled bonanza of excruciatingly cool spy combat.

Baby, let your colors burst.

In addition to its exuberant action, the Kingsman has a surprisingly refined funny bone. Samuel L. Jackson is perhaps given the best material (concerning his character's distaste for violence), but Egerton absolutely owns a thuggish role that inhabits a world of unintentional comedy. However, the biggest surprise in the film is Colin Firth, who displays a side of himself that's never been seen before, shifting effortlessly between being perilously genteel and a hard-edged lightning bolt.

Underneath it all, Kingsman  even has something to say! I mean, how lucky are we? Like a disconcerting amount of 2015 films, its main villain makes a convincing argument on the back of the devastation of global warming, and the bulk of the story addresses the indecent class disparity that affects everyone in our society, whether we like it or not. 

The Kingsmen is an organization with noble blood, purportedly seeking to preserve the safety of the people. But the fact remains that these supposed knights balk when it is suggested that a commoner join their team. In its way, Kingsman shows that an endless search for money and status makes us fallible, no matter how noble our goals. I shan't go into too much detail on this, for fear of spoiling the third act, but rest assured that Kingsman is highly politicized, and whether you agree with it or not, it's reassuring to see genre filmmaking returning to a place of intelligence and promoting conversation.

Just look at the class disparity! Colin Firth can't even afford a dope-ass hat.

That said, Kingsman is not perfect. For one, its approach to women tries hard not to be demeaning, but only occasionally succeeds. Two strong female characters become warped and twisted beyond hope: one is shuttled off to the side to flail meaningfully but uselessly on the sidelines, and the other is turned into a twisted gorgon, a hyperbolically sexual stereotype that is just plain embarrassing no matter what side of the glass ceiling you're on.

And I prefer to be on this side, thank you very much.

But all in all, Kingsman: The Secret Service is just plain fun. With the perfect cast, a manically charming director, and a great deal of high-octane action stuffed in to taste, it's a thrilling romp through the spy genre from a modern perspective. Go seek it out if you haven't yet. Not all February releases are crap, as it turns out.

TL;DR: Kingsman: The Secret Service is a thrilling and clever modern spin on the classic spy adventure genre.
Rating: 8/10
Word Count: 972

Wednesday, April 2, 2014

B Is For Best Friends

Day 2 of the Blogging From A to Z Challenge and going strong! Let's see how long I can keep this up!

Here are some mini reviews of two of my closest friends' favorite movies!

Return To Oz

Year: 1985
Director: Walter Murch
Cast: Fairuza Balk, Nicol Williamson, Jean Marsh
Run Time: 1 hour 53 minutes
MPAA Rating: PG

First up is my friend Brenna's pick - Disney's long-delayed (and long-forgotten) sequel to MGM's The Wizard of Oz, which was released all the way back in 1939. Not only does it hold the record for most years between a film and its sequel, it also claims the title of Most Distressingly Terrifying Movie Ostensibly For Children, awarded by the Academy of Brennan. 

Remember I've showed my little sister A Nightmare on Elm Street, Friday the 13th, and Final Destination so I'm not too keen on censorship but I think I'd wait a couple years to show any youngster this film. This is not a drill. Return To Oz is some seriously screwy stuff and it's all pretty great in a totally incomprehensible mid-80's type of way.

Young Dorothy Gale (Fairuza Balk) has returned to a post-tornado Kansas and her ravings about the mystical land of Oz don't do much to convince people that she's perfectly healthy and sane. After putting up with this for some time, her Auntie Em (Piper Laurie), one of those imagination-crushing adults that hates to see little kids be creative, takes her to get some good old fashioned shock treatment.

No, not that kind. Not that I'd mind.

After the machine fails during a thunderstorm, Dorothy makes a break for it, propelled by the screams of the tormented brain-fried patients locked in the basement. I wasn't kidding when I said this was dark stuff. With the evil Head Nurse chasing after her, she leaps into a flooding river and gets washed right back to Oz.

There she makes friends with Tik-Tok (Sean Barrett), a portly robot with wind-up gears, Jack Pumpkinhead (Brian Henson), a rail-thin Jack-O-Lantern with a mommy complex, the Gump (Lyle Conway), a strapped-together pile of junk furniture given the bittersweet gift of life by magic powder, and her very own farm chicken Billina (Denise Bryer), newly minted with the power of speech.

Their newfound mission is to save the Emerald City and Dorothy's copyright dodging friends (like the Scarecrow*) from the Nome King (Nicol Williamson), who has turned everyone to stone. But to get to his mountain, they must first cross the Deadly Desert which turns anybody who touches it into sand and get past the Wheelers, evil rolling creatures on stilts.

Nothing about this film is magical and colorful in the way that the original film is. This is a new Oz, the burnt wreckage of the paradise it used to be. This is a dark, dark film but it's full of charming lunacy despite nearly every character and situation being fueled by existential horror (as exemplified by the fact that when Dorothy finally returns to Kansas, the Mad Doctor who nearly deep fried her has perished in the storm - how many kids films legitimately kill off their characters? This is no cleaned up "falling off a cliff" scenario. They straight up murdered this guy).

Honestly, if I was anything like Walter Murch, this is probably the type of film I would want to direct. This is a man whose "Rule of Six" is taught in every editing class in America. I'm talking a superstar in the editing game. I've had to read his book in three classes already, and one of them was for cinematography!

If I had that kind of reach within my field and was given the chance to direct just one film in my career, I too would choose a twisted and idiosyncratic film like this one. Why not have fun with it? You have one shot. It's not like you can screw it up.

So, although I don't have the childhood connection with the film that drives Brenna's deep, abiding love for the film, I certainly do have a lot of respect for the twisted little thing. 

Rating: 7/10


X-Men: First Class

Year: 2011
Director: Matthew Vaughn
Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence
Run Time: 2 hours 12 minutes
MPAA Rating: PG-13

Next up is one of Henry's favorites - the tale of way back when Professor X and Magneto were young and hot. Now, I've been a longtime fan of the X-Men (and of Shawn Ashmore's face) so I've seen the entire main trilogy and that dumb Wolverine spinoff, but somehow I missed this film for quite some time. That was quite a shame because it's really a wonderful prequel with some massively interesting implications on the world of everybody's favorite mutants. 

When Sebastian Shaw (Kevin Bacon with a surprisingly flawless accent in German), an ex-Nazi starts stirring up trouble overseas, young telepath Charles Xavier (James McAvoy) and his new team of teen mutants gathered together by the CIA join forces with Erik Lensherr (Michael Fassbender), a concentration camp survivor with a grudge. 

To prevent Shaw from starting a nuclear war and absorbing the energy from the bombs to become all powerful and lead a new world of super-mutants, the team must overcome interpersonal strife and accept the powers that separate them from the world at large in order to save it. It's all a very lovely (GAY) metaphor for (GAY) struggling to fit in with the (GAY) world that made you but doesn't accept who you are.

After some teen mutant hijinks and a whole mountain of sizzling homoerotic tension between Fassbender and McAvoy, the film turns into an incredibly tense action flick as the newly christened X-Men clamor to defuse nothing less than the Cuban Missile Crisis, only slightly altered for the sake of the film.

Using a true life historical event is a risky gamble in a film that also contains a stripper with butterfly wings, but it absolutely works, ramping up the tension to an unbearable degree thanks to the collective cultural fear of nuclear war that this period in American history left behind. It's incredibly brave and undeniably works on the level of grounding this story in its own reality (as well as our own, more or less) and keeping the stakes as high as can possibly be.

When the X-Men interact with history, as they have before with (obviously) the Holocaust, is when they are at their strongest, showcasing the strengths and weaknesses of society in a carefully controlled heightened reality. This film is about facing our inner evil and discovering our true natures in the grand scheme of history. It can't fail to resonate with every single viewer because this story about mutants finds its core in what it means to be a human. Fantastic work.

Also, GAY.

Rating: 8/10
Word Count: 1142
Reviews In This Series
X-Men (Singer, 2000)
X2: X-Men United (Singer, 2003)
X-Men: The Last Stand (Ratner, 2006)
X-Men: First Class (Vaughn, 2011)
X-Men: Apocalypse (Singer, 2016)