Tuesday, December 31, 2024

2024 Flashback: TV, Music, Books, & Misc.


TELEVISION

2024 TV Shows I Missed That I Wish I Had Seen Before Compiling This List: Baby ReindeerFantasmas, The Sticky

2024 TV Shows I Missed, Don't Regret Missing, and Will Go Out of My Way to Continue Missing Until the End of Linear Time: Sausage Party: Foodtopia, American Sports Story, Doctor Odyssey, High PotentialGeorgie & Mandy's First Marriage

Top Seven Episodes of 2024

#7 "There Will Be Blood" Chucky


There are definitely elements of season 3 that have gotten too out there, but this episode is a prime slice of Chucky kookiness. An elevator full of blood and a William Shatner needle drop sure do lift the spirits.

#6 "Kid in a Candy Store" Dexter: Original Sin


I've never watched a single episode of the original Dexter, but I've been enjoying my sojourn into this prequel starring Patrick Gibson in the title role. Even though the show is still failing to integrate Dexter's father and sister as well as it wants to at this point, everything with Dexter himself has settled into an excellent place, and I absolutely adored the recurring gag of him eating categorically too many cubano sandwiches.

#5 "Valley of the Dolls" Only Murders in the Building


Look, any episode that somehow managed to get a catfight between Meryl Streep and Melissa McCarthy onto my screen is going to end up on the list. I'm only human.

#4 "Familiar by Thy Side" Agatha All Along


I usually hate side quest episodes that take a long break from the main plot to drill deep on a single character. But this one contained some very fun twists and turns and ends with Kathryn Hahn delivering the performance of a lifetime while absolutely covered in mud, so color me surprised.

#3 "Home" Heartstopper


Heartstopper
 seasons 2 and 3 have been very up and down, but the highs of this show are still incredibly high. And this episode that separates Nick and Charlie while the former is on vacation and the latter is having a particularly low mental health moment finds all the best heartstrings to pull.

#2 "Headhunting" What We Do in the Shadows


I grew instantly tired of Laszlo's attempt at creating a Frankenstein monster, but the material where Nandor and Nadja attempt to help Guillermo succeed at his new office job is top-shelf comedy dynamite.

#1 "Lonely Fans" The Charlie Puth Show


This is a show that has no reason to exist. The fact that it's a scripted Roku Channel original about Charlie Puth trying to put a reality show together is simply unhinged. But the fact that it's actually secretly hilarious is even more wild. This episode, which follows Charlie finding himself surprisingly pleased with rumors that he's dating an elderly fan, includes many of the show's best moments and displays an intoxicatingly playful approach to language, from the off-kilter phraseology Charlie uses to describe a plaque that he's been given to the way multiple characters inexplicably drop the "the" from "the Internet."

Bottom Three Episodes of 2024

#3 "War" Mary & George


Although Mary & George starts off promising, injecting a period costume drama with a heaping helping of human messiness, sex, and violence, this finale unspooled the last bit of story in an impotent and tedious way that made me question why they even bothered in the first place.

#2 "Maiden Mother Crone" Agatha All Along


Forget the cheap Ren Faire costumes and the terrible wig they clearly put on that child actor in order to punish him, this episode spends so much time explaining stuff that truly needed no explanation, wasting everyone's time by indulging in the show's worst instincts (AKA assuming that "Ballad of the Witch's Road" is a strong enough song to be used more than twice in the entire miniseries).

#1 "The Prophecy Comes True" Percy Jackson and the Olympians


Completing our trio of bad finales, here comes ol' Percy Jackson season 1 once more after churning out some other notably bad episodes in late 2023. This final episode is incoherent drivel that provided the last nail in the coffin of my assurance that the chorus of people insisting this show was better than the Logan Lerman movies have lost their sweet minds.

Best Actor: Kayvan Novak, What We Do in the Shadows


What We Do in the Shadows has one of the funniest ensembles in modern television, but I'd be remiss if I didn't give Kayvan Novak his laurels before it's too late. In the show's final season, Nandor is just as unique and bizarre a character as ever, and some of Novak's line readings are so unexpected and hilarious that you might need to double check that your insurance covers busted guts. His physical comedy is also impeccable. Him smacking a counter with a mop while pretending to be a janitor just might be one of the best moments of the show, period.

Best Actress: Kathryn Hahn, Agatha All Along


I believe I already mentioned her slam-dunk performance while covered in mud, which should be enough to convince you I've made the right call here, but she effortlessly twists from drama to comedy without breaking a sweat, and manages to craft a coherent character out of teleplays that constantly let her down.

Best Supporting Actor: Mike O'Donnell, The Charlie Puth Show


This is Mike O'Donnell's first role in anything. As far as I can tell, he's not an actor. I think he's just Charlie Puth's actual friend. So why is he giving such a winning comic performance here? Honestly, he's even better than Charlie, who has charisma but is obviously trying to act. Mike just has it.

Best Supporting Actress: Jenny Walser, Heartstopper


Tori Spring is really coming to the fore this season, and Jenny Walser has risen to the challenge of making a ferocious and prickly character the most instantly lovable of this entire ensemble.

Best Recurring Actor: Eva Longoria, Only Murders in the Building


Eva Longoria proved long ago that she's willing to poke fun at herself with her cameo in 2013's In a World..., but her newest turn playing herself onscreen is even more deliciously vicious and hilarious.

Best Trans/Nonbinary Actor: Yasmin Finney, Heartstopper


Look, I'm gonna stop awarding her when she stops knocking every one of her scenes out of the park.

Biggest Laugh: The Doorbell, Single, Out


So, I didn't mention Single, Out last year because I feel like it would just be punching down. This good-bad Australian queer dramedy might as well be a web series with its bargain basement budget and generally poor filmmaking and storytelling quality. But every now and again, it produces a moment so bafflingly perfect that it must be rewarded, like the scene in the season 2 finale when we are anticipating that the ex of the main character, Adam, might show up unexpectedly. Which is why we, the audience, are not surprised to hear the doorbell ring. However, Adam is. He turns to ask his mother a question. Instead of asking who that might be at the door, he inquires about when they installed the doorbell, which begins one of the show's signature loopy, loose, circular conversations. I truly don't know if that incredibly weird reversal of expectations happened on purpose or what, but it really caught me off guard and tickled my funny bone.

Biggest Cry: Charlie Asks For Help, Heartstopper


Joe Locke really nails the puppy dog eyes vulnerability thing, so of course the scene where his character Charlie admits to his parents that he has an eating disorder works like gangbusters.

Biggest Scream: The Salem Seven, Agatha All Along


Hey look, another Joe Locke scene! He's had quite a year. The sequence in episode two where he is trying to barricade Agatha's house while the creepy-ass J-horror coven approaches down the street is the stuff of nightmares.

Biggest Squirm: The Fingerprints, Uzumaki


This hotly anticipated (by me) Junji Ito anime adaptation was kind of a mess, but sometimes you can't help but stumble into a gold mine by simply putting one of the horror manga master's decadently macabre storylines on the screen, like this moment where a character cuts off her own fingerprints in a desperate attempt to rid herself of all spirals.

Biggest Thirst: Basically All Of It, Mary & George


This entire show is about Nicholas Galitzine using his body to seduce a lecherous king and all the other ways he weaponizes his sexuality to his advantage. The word "homoerotic" is, if anything, too mild to use as a proper descriptor for Mary & George.

Best Intro Sequence: Dexter: Original Sin


I know this is incredibly similar to the original show's intro, but it's an elevation of it. I think all of this is just tremendously effective. The back and forth of the Morgan family getting their day started is a perfect way of subtly establishing the differences in all the characters while also highlighting the more ensembley nature of this version of the show. And they also find so many delicious visual ways to compare the process of getting ready for the day to committing murder that it's almost criminal in and of itself.

Best SNL Sketch: "Papyrus 2"


Of course they were going to do a sequel to one of their most popular sketches when Ryan Gosling returned to host SNL. It was inevitable. What wasn't inevitable is that it's nearly as good as the original. They have the poster designers for Avatar 2 to thank for that, of course, but they really snatched that ball and ran with it.
 
Worst SNL Sketch: "Bowen's Straight"


"Straight man acts gay" has been a common trope for mining cheap laughs over the years, and it turns out that "gay man acts straight" is just as pathetic a ploy. Flipping the script isn't always the answer, especially if the script sucks in the first place.

Best Guest Star: Law Roach, The Charlie Puth Show


I'm not a fashion guy, so this was my first encounter with Law Roach, but I hope it's not my last. He is a volcanic eruption of charisma and totally unafraid to embrace the surreal, practically supernatural, version of himself that the show depicts.

Worst Guest Star: Jay Duplass, Percy Jackson and the Olympians


When you cast the Greek god Hades, you either need to go full terrifying or swing the opposite direction and have him be insidiously nice and charming. With Jay Duplass, you get neither of those things, just a middle-of-the-road milquetoast nothing of a character.

Best Needle Drop: "See You Again" Charlie Puth, The Charlie Puth Show


Really, I'm telling you, this is genuinely one of the funniest shows of the year. This track comes from the aforementioned number one episode of the year, where the end Charlie's fake relationship with an elderly woman causes him to reflect on their time together as underscored by one of his most achingly sincere songs. It's an obvious choice, sure, but the way it drops into the episode at the exact right nanosecond needs to be studied.

Best Line: "Jake's hair is naturally curly, you monsters." Chucky

I love the fact that suggesting that Jake might have gotten a perm is among one of the worst crimes Chucky & Co. have committed.

Worst Commercial: "That's Magic" AMC Theatres


The original Nicole Kidman AMC ad was magical, so when they announced they'd be launching new versions of it, I was very nervous that they wouldn't recapture its guileless lunatic spirit. But I couldn't have possibly predicted just how wrong things would go. They did not introduce any new material. They simply cut down the existing ad from 60 seconds to 30, in a few different configurations, adding outtakes from the original shoot willy nilly. 

It's not like the original monologue was perfectly legible, but these cuts make an absolute hash of it. Like, she famously opens that monologue with "we come to this place for magic." That line that is removed from this particular cut. A cut that she closes by saying "that's magic," thus referencing a phrase she didn't actually utter in this version of the video. This is lazy garbage that mars one of the most perfect pop culture objects of the decade.

Top Five Melr0210 Episodes

My marathon of Melrose Place and Beverly Hills, 90210 continues! I've buckled down a lot this year, because I wanted to finish all 11,000 episodes before I hit retirement age. So this will all come to a close in early 2025, but in the meantime, here are my five favorite episodes of either show that I watched this year.

#5 "Trojan Stork" Melrose Place season 6 episode 2


This is just good, solid, meat and potatoes 1990s prime time melodrama. Michael microwaves a floppy disk of evidence. Taylor tries to steal his sperm. Et cetera. You know, the usual.

#4 "Homecoming" Beverly Hills, 90210 season 7 episode 6


Seasons 6 and 7 clearly got a budget that was missing from the earlier and later seasons, and the use of wildfire stock footage here worked perfectly with the slightly grander-scale production of this episode, where a house party is interrupted by flames descending from the hills. Plus, Brad from Teen Witch is here, along with that inexplicably hot guy from Children of the Corn V: Fields of Terror. A great time, all around.

#3 "You Say It's Your Birthday" Beverly Hills, 90210 season 6 episode 31/32 


The season 6 finale takes some big swings! And I'm not just talking the cameos from Jim, Cindy, Andrea, and that unhinged Wings Hauser FBI character. There's a full-on San Pedro warehouse chase sequence that feels more Miami Vice than 90210, and it's a total blast.

#2 "Fiddling on the Roof" Melrose Place season 7 episode 15


Is there anything more Melrose Place than Jane and Michael getting married for the second time, deciding to get divorced at the reception, immediately cheating on each other, and having one crash through the ceiling onto the other, in the middle of said cheating? What a show.

#1 "Speechless" Beverly Hills, 90210 season 6 episode 6


Both of the main storylines here are full of wacky hijinks with the gang, which is a treat you can't overlook in these later seasons. Brandon loaning out his house to a film crew, only to realize that they're shooting Topless Pizza Party 3, is great. But the girls getting stuck at a convent where they have to take a vow of silence is even better.

2024 Crush: Cameron Bancroft


OK, I'm cheating. Beverly Hills, 90210 season 6 didn't air in 2024, according to my records. But good golly Moses, what a beautiful man.

MUSIC 


Top Ten Songs of 2024

#10 "Stay Young" Paris Hilton


I assumed that Paris Hilton's sophomore album would all be shitty club tracks (more on those later). And while the whole thing is maybe a little underproduced, it really surprised me on a lot of levels. A major standout was this dance track about pondering mortality, a tune that is surprisingly sincere, catchy, and really hits me in my own personal sweet spot.

#9 "Eye of the Night" Conan Grey


Last year, I ranked Conan Grey's "Never Ending Song" at No. 6 and said, with great rapture, that Grey crafted "a song that genuinely feels like you would have seen it on MTV 800 times in 1987." Well folks, the album to which that song was the lead single has come out, and every track is exactly that. This one appeals to me the most, though, because of its sinister moonlit pavement vibe and - of course - that soaring chorus.

#8 "dumb boy energy" The Pussyboys


Transmasc indie pop punk band The Pussyboys rushed out of the gate with this glorious, laid back ode to gender euphoria and living life to its fullest without thinking too hard about it even a little bit.

#7 "The Devil is a Barmaid" Versengold


This neo-medieval band typically performs in German, and I wish I could have chosen one of those tracks, which are also great, but "The Devil is a Barmaid" is undeniable. It's one of those songs that truly feels like it fell out of a wormhole from centuries ago and was resurrected with modern instrumentation. 

#6 "two" bbno$


This is a great music video, but don't let the goofy, engaging visuals fool you. The music itself is just as goofy and engaging. bbno$ (pronounced "baby no money") has great flow, but it's in service of lyrics that never teeter too far into taking himself too seriously. Pure fun. Also the kids' chant motif is a work of mad genius that simply shouldn't work, but really, really does.

#5 "Commas" Ayra Starr


Ayra Starr is the queen of music for staring out of car windows on long road trips, and I mean this as the highest compliment. Something about her work unclenches my shoulders instantly, and I'm not someone who likes "relaxing" music. But "Commas" is chill without sacrificing bouncy rhythms, dragging you directly into its welcoming atmosphere.

#4 "Joyride" Kesha


I was really worried that the completely misguided experimental sound of Kesha's most recent album, Gag Order, would indicate that her career was careening wildly away from anything I might find remotely musically interesting. However, by reclaiming her joy rather than focusing on the anger that drove Gag Order, she has also found the right way to make something that feels weird and aggressive while also being an absolute blast to listen to. I dare you to listen to this deranged polka pop track and not have a smile on your face by the end.

#3 "Gateway Drug" Daniel Seavey


This very well might be the sexiest song this side of Childish Gambino's "Redbone." The way those raspy verses inexorably slide into the floaty falsetto of the chorus is just perfectly designed to deliver the tinglies. This is absolutely necessary, considering how much musical support is required by the sheer self-confidence of the lyrics. If every part of the production wasn't perfect, the song would fall flat on its face. Luckily, that ain't a problem for Mr. Seavey.

#2 "The Code" Nemo


I am almost always of the opinion that Eurovision awards their top prize to the wrong song. That is not the case this year! In addition to being a fun, melodramatic lyrical dismantling of the gender binary, "The Code" does the same thing to the idea of genre itself. What is this song? Is it Europop? Glam rock? Rap? Opera? The answer, my friends, is a resounding "yes."

#1 "Eurostar" Nemo


I usually limit myself to one song per artist, and I just couldn't ignore that delicious opera motif in Nemo's "The Code," so I almost discarded "Eurostar" in its favor. But this unabashed party anthem is simply perfect, so I had to make an exception. This song has slightly fewer genres that it's playing with than "The Code" does, but if you know me, I can't not be caught up in a chorus that soars into the air and sweeps me off my feet. Wow, does this song succeed at that. It basically runs you over with a sonic bullet train every 50 seconds or so.

Bottom Five Songs of 2024

#5 "A Twink and a Redhead" Grant & Ash


When a viral comedy duo pivots to music, it doesn't have to be a bad thing. But this twink and redhead are paying homage to the shitpop churned out by Real Housewives stars, which needs to be performed without a shred of irony in order to work even a little bit. In addition to that failure of core principles, the chatty lyricism is awkward, the jokes simply aren't funny, and the thesis is baffling. Since when is the phenomenon of one twink and one redhead hanging out iconic? It's not, like... a thing.

#4 "BBA" Paris Hilton


So, Megan the Stallion is pretty great here, as she usually is. But the album version of "BBA" is just Paris alone, and let me tell you, this song needs Megan like Cookie Monster needs chocolate chips. Everything around her is tinny, shitty club music peppered with lazy patter that is neither compelling nor really makes all that much sense lyrically. This is exactly what I was worried the entire album would sound like, down to the parts where Paris tries to shoehorn her ear-witheringly awful made-up slang term "sliving" into the lyrics. Stop trying to make "sliving" happen, Paris. It's not going to happen.

#3 "I LUV IT" Camila Cabello feat. Playboi Carti


This one's tricky. The verse is a little off, but kind of inoffensive. So it hooks you just enough to keep listening until it hits the blisteringly repetitive chorus, which somehow isn't even the worst part of the song. That would be the screechy post-chorus bit with the shrill staccatto blasts of synth and random grunting.

#2 "Hey Rudy" Jimmy Fallon


Do I even need to write a blurb for this? Just... listen to 12 seconds of it. It's Jimmy Fallon Christmas music where he calls Rudolph "Rudy" and tries once more to convince everyone he can sing. You don't need my help pointing out its worst qualities.

#1 "club classics" Charli XCX


Oops, this is where I come out as a Brat hater, isn't it? Oh well, it had to happen eventually. This song starts off as a generic annoying club track where the same phrases are repeated over and over again. Then that ill-fitting music cuts in, making it sound like an ad accidentally started playing in another browser window. Then comes the bit where atonal chant-singing is paired with squelching synth farts. I simply cannot understand how this is meant to be a pleasant experience for my poor ears. This sounds like if somebody took "Joyride" out of the fridge and accidentally left it on the counter all night.

Worst Mashup/Remix: "Can You Feel the Love Tonight (From "A Whole New Sound")" - Pedro Sampaio Remix


Hiring Simple Plan to cover a song from The Lion King was already a weird choice, but now we're remixing that while still keeping it midtempo and throwing in some tropical EDM vibes and chopped-and-screwed bad DJ rap? It's sounds as if the Main Street Electrical Parade is trampling through Rio de Janeiro like a ravenous kaiju.

Best Music Video: "Taste" Sabrina Carpenter


I was actually resistant to this at first because people were like "you like horror, you'll love this video!" and I wanted to be like "You don't know me! Nobody knows me!" But I regret to inform myself that sometimes I'm a curmudgeon for no reason. This video is great, and a hell of a lot of fun. Plus, it co-stars Corey Cunningham from Halloween Ends, which is the deepest possible cut in a video chock full of references.

Worst Music Video: "Woman's World" Katy Perry


I didn't want to jump on the bandwagon of hating the song itself, because it's simply mediocre, not truly awful. But the music video is an absolute disaster, with a muddled thesis that somehow reinforces the gender binary even harder by trying and failing to show women doing typically "masculine" things. And why does the video for this empowerment anthem end with her stealing a phone from a woman of color? It's a rhetorical seven-car pileup, and I haven't even mentioned the sheer body horror of her being squished flat by an anvil, reinflating herself, and then inserting a fuel pump into her asscheek.

Best Collaboration: "Chasin'" Paris Hilton & Meghan Trainor


Aaaaaand we're back on the Paris hype train. My parasocial relationship with this woman is so toxic, but what a roller coaster it is. "Chasin'" is basically the spiritual sequel to "Stars Are Blind," musically speaking, and it is by far the best thing that Meghan Trainor has been involved with in at least half a decade.

Worst Collaboration: "Now or Never" Pitbull x Bon Jovi


Pitbull has never been a good rapper, but he is usually charmingly daffy. This is just bad, and there is absolutely no need to drag poor Jon Bon Jovi into all this. Just sample him and leave it at that!

Best Guilty Pleasure: "Hands Dirty" Descendants: The Rise of Red Cast


Descendants 4 was a train wreck, but it perks up for this one brief sequence that's incredibly charming and mostly actually listenable, if you discount the shitty Disney rap bits.

Worst Guilty Pleasure: "Karma" JoJo Siwa


But it's soooooo catchy.

Best Comeback: ur pretty


Be honest, you're surprised I didn't say Paris Hilton. But as much as I like a lot of that new album, the most exciting comeback of the year was the X-rated pop punk maven ur pretty, which is one of the pseudonyms of the rapper Jake Hill. Even though ur pretty came first, so to speak, in recent times, Hill has largely turned his genius for writing filthy gay lyrics toward his country music alter ego Dixon Dallas. So imagine my delight when this new song dropped and I learned that pop punk was, indeed, not dead.

Worst Comeback: "I'm an Albatraoz"


I actually really love the 2014 AronChupa song "I'm an Albatraoz," which is wholly inexplicable but kind of a bop. But this 10th anniversary remake seeks to add reams of material to make every last line explicable, which is a fool's errand. Nobody was wondering why the mouse named Laurie was a bitch, y'all. Just keep making weird Europop, it's fine.

Best Album Cover: Mountainhead, Everything Everything


I like that this album cover edges toward minimalism but yet has so much going on. The texture of the titular mountain head is excellent, and I love the bold stripes of color juxtaposed against the greyscale image at the center.

Worst Album Cover: 143, Katy Perry


I know it's popular to dunk on Katy Perry these days, and I've tried not to do that too much. But come on, she's making it so easy. What's with this lazy-ass design where it looks like you're taking a look at her bad Wonder Woman cosplay through a jizz kaleidoscope?

Best Cover Song: "Holiday Road" Kesha


Leave it to Kesha to take one of the cheesiest songs of the 1980s (Lindsey Buckingham's theme for National Lampoon's Vacation, no less) and transform it into a superb, haunting dance track.

Worst Cover Song: "Good Luck, Babe!" Franz Ferdinand


It's probably a mistake for men to cover Chappell Roan in general. But the work of a pop star where the vocals are so important to her vibe should not be converted into typical alt-rock bleating. It's a crime against the ears.

Most Random Pivot to Music: Ronan Farrow


I guess it's not terrible? But yes, that's the author of Catch and Kill jamming with the lead singer of Sixpence None the Richer and singing about his breakup with Pod Save America co-host Jon Lovett. The world really is a magical and confusing place.

Best Promotional Campaign: "Gay Americana" Cole Redding


Yeah, Cole Redding literally just posted these flyers around town, with no mention of his new single, then ate In N Out while the song played on a boom box and about 50 people watched and cheered. Of course I was one of those people. Grassroots marketing has never been better.

Best Song Title: "Single Soon" Selena Gomez

She knew she was birthing a thousand memes when she announced that her single, "Single Soon" was coming soon.

Worst Song Title: "Diet Pepsi" Addison Rae

This tells me absolutely nothing about the song, and it's got a gross corporate sheen that someone like the TikTok star Addison Rae should be keen to avoid until she establishes herself as a proper musician.

Best Lyric: "I think I finally hit my rock bottom / Should probably go and tell my father I / I killed my genie with a bottle" - from "HEY ROSE" by Mikolas

That genie thing just really gets me. It's such a simple poetic reversal of the type of bottle we associate with them, I don't have much to add. I just think it's so effective.

Worst Lyric: "Say you can't sleep, baby, I know / That's that me espresso" - from "Espresso" by Sabrina Carpenter

And now we move from a simple way to change common language to elicit deeper meaning to a simple way to change common language that makes an absolute hash of the whole thing. "That's that me" is unacceptable even within the astoundingly lax parameters of Top 40 pop songwriting,

Best Sample: "i'm not crazy" charlieonafriday


I used to hate samples with a burning passion, but I've since come to really appreciate them in a variety of contexts. This particular one I enjoy because it doesn't mind tweaking the original lyric, as well as its overall meaning, so it's actually engaging with Matchbox Twenty's "Unwell" in an exciting intertextual way, even if it's in service of a kinda generic fuckboi anthem that sounds like a castoff from The Kid Laroi.

Worst Sample: "I Don't Wanna Wait" David Guetta & OneRepublic


Now here's where you take the concept of twisting a sample way too far. This is just playing a lazy game of telephone with O-Zone's "Dragostea Din Tei" (also known as "Numa Numa"). I have no time for it, especially when the same sample was already used better literally 16 years ago in Rihanna and T.I.'s "Live Your Life."

Top Five Song Discoveries

#5 "Superhuman" Clean


This is actually the theme song to that bad-good Australian queer series Single, Out, and it is by a country kilometer the best thing about the whole affair.

#4 "Breathe In, Breathe Out" Blanks


This song is bouncy and delightful, blending ennui and positivity in the space of a single line.

#3 "Ain't No Doubt About It" Z-O-M-B-I-E-S 3 Cast


This is one of the best onscreen sequences in the franchise, but the song is also super catchy and cute, perfectly capturing the exhilaration and angst of being in a relationship in your senior year of high school.

#2 "cross your mind" ROLE MODEL


ROLE MODEL has dropped a lot of great songs this year that unfortunately just barely missed making the cut. But this older track is still one of my favorites, with its laid-back, oh so cool, big city unrequited love song vibe.

#1 "don't shop when ur hungry !!" salem ilese feat. vaultboy


This song is a blast! The extended food and drink metaphor really scratches my brain, but I love the musicality too, especially with the way it works the checkout counter beep into the orchestration.

2024 Crush: Benson Boone


I gotta hand it to him, for someone who's so desperate for my attention, he's certainly found many ways to earn it. Flipping all around the stage, being shirtless at every possible opportunity... I really can't be mad about it. It won't make me listen to the music, but I'll watch the videos!

BOOKS

Top Five Books of 2024

#5 The Eyes Are the Best Part, Monika Kim


I have some quibbles with this book, which has a tendency to flatten supporting characters and their dialogue. But following a budding Korean-American serial killer and her obsession with eating eyeballs provides for some majorly effective grossout moments that I won't forget anytime soon.

#4 Disney High, Ashley Spencer


This was a breezy read filled with plenty of backstage Disney Channel drama. A real nostalgic treat for a latter-day millennial like me. Honestly, I wish it hadn't stopped where it did and just plowed through later Disney Channel projects like Good Luck, Charlie, Teen Beach Movie, and Z-O-M-B-I-E-S.

#3 Rough Pages, Lev AC Rosen


Lev AC Rosen, who is one of the most prolific authors out there right now, continues cranking out delightful period piece mystery novels, exploring the queer underbelly of post-WWII San Francisco and all the exciting nooks and crannies hidden within it.

#2 The Brightness Between Us, Eliot Schrefer


This was the sequel to my #3 book of 2021, The Darkness Outside Us. While it lacks the compulsively readable forward motion of that book, it expands the sci-fi world around the main characters in a deliciously compelling way and introduces just enough new people into the mix to allow the character study to deepen and remain just as emotional and interesting.

#1 Love Letters to a Serial Killer, Tasha Coryell


I'd place this right alongside last year's Yellowface (my #2 book of 2023!) in a new genre I'm calling "millennialcore thrillers." Both books follow aimless, underemployed women who find themselves stuck in strange situations and feel compelled to find more and more rickety ways to justify their questionable actions. In this case, the character is a true crime obsessive falling for an accused serial killer and convincing herself she's in control of the situation. It's a rough read at times, but an utterly compelling one.

Best Book Cover: Your Shadow Half Remains, Sunny Moraine


I love images where a thing is also another thing (see: the poster for 1978's Halloween), and this one is also a third thing, just for good measure!

HERE'S SOME STUFF THAT I DID IN 2024

Podcasts!


I didn't guest on many podcasts this year, but I did visit my friends at The Friendchise to talk Alien: Romulus! And I talked about a whole bunch of horror movies, among other things, all year at Alternate Ending

Events!


I got to report from a bunch of cool places for ScreenRant this year! I went to San Diego Comic-Con for the first time, which was a formidable but entirely rewarding experience. And I got to travel to São Paulo for CCXP24, which was a total trip in every meaning of the word. While there, I got to interview Anya Taylor-Joy and Miles Teller! Read about it here!

Rotten Tomatoes!



My reviews at ScreenRant have earned me an official spot on Rotten Tomatoes! I got to be one of the proud people who worked to push Hot Frosty down from the inexplicable 100% score it started with, so you're welcome, everyone.

New Tattoo!


For my 30th birthday I wanted to get a new tattoo and I decided to honor a sorority from a 1980s slasher movie in the frattiest place possible. I landed on Delta Rho Chi from The Initiation, and I'm very happy with how it turned out!

And that's gonna be it from me for 2024! Let's try to make 2025 as nice as we possibly can. I know it's gonna be hard. But 28 Years Later comes out, so that's cool at least.
Word Count: 5767

No comments:

Post a Comment