Showing posts with label Ryan Paevey. Show all posts
Showing posts with label Ryan Paevey. Show all posts

Thursday, September 5, 2019

Reviewing Jane: The More I See Of The World, The More I Am Dissatisfied With It

In which we review every film adapted from or inspired by the works of Jane Austen.

Year: 2018
Director: Steven R. Monroe
Cast: Cindy Busby, Ryan Paevey, Frances Fisher 
Run Time: 1 hour 26 minutes

So far in the line of duty, I've only encountered one franchise built off a riff on Jane Austen, which would be the Bridget Jones movies. The first film (adapted from the novel by Helen Fielding) was based on Pride and Prejudice and the sequel Bridget Jones: The Edge of Reason was based on Persuasion. That's interesting in and of itself, but then 2018 rolls around and the Hallmark Channel goes completely wild as usual.

2016's Unleashing Mr. Darcy, a modernized retelling of Pride and Prejudice set in the dog show circuit, was deeply mediocre. Which means it's an above-average movie for Hallmark and of course earned itself a sequel. The wages of sin come in the form of Marrying Mr. Darcy, from the director of the 2010 remake of I Spit on Your Grave

Appropriately, this movie spits on the grave of Jane Austen.

Let me lay out two scenes for you. 1) Elizabeth (Cindy Busby) feels that her fabulously wealthy CEO fiancé Darcy (Ryan Paevey) is pulling away from her because he keeps working extra hours at work. What she doesn't know is that he's working extra hard because he's planning for them to have a monthlong honeymoon. You know, the kind of surprise that's appropriate to spring on a woman with a job. 2) During wedding planning with Darcy's mother-surrogate Aunt Violet (Frances Fisher, tempted back by the smell of that Hallmark money), Elizabeth feels like her desire for a simple wedding is being crushed by the upmarket society the Darcy family keeps.

You got those two scenes down? Good, because they're the only two scenes in the movie, repeated back and forth, back and forth ad nauseam until the movie runs down the clock enough to give us the promised wedding.

Did I mention that this movie was the centerpiece of Hallmark's annual June Weddings movie marathon? I bet you didn't think you'd be learning so much on a horror blog.

The fascinating thing about Marrying Mr. Darcy is that it attempts to create a sequel beyond the ending of Pride and Prejudice, which is usually the stuff of fan novels rather than actual cinema (I'm stretching the definition of "cinema" to the breaking point, but this is a feature film so I say it counts). The fact that it's not even a good sequel to Unleashing Mr. Darcy does not inspire confidence. It literally mentions the dog show element in exactly one line (conveniently, about how Elizabeth doesn't want to do dog shows anymore), and the dogs who were pretty much central characters in the film have been relegated to cute transitions. When the screenwriters can't figure out how to end a scene, they just have a character coo over a puppy until the audience forgets there's a plot going on and they can switch to a new scene without anybody noticing.

Naturally, it also removes the element that made it Austen-y at all. The bare minimum that most Pride and Prejudice adaptations (including Unleashing etc.) achieve is featuring a couple that has friction before eventually falling in love. But now that Elizabeth has already sanded the edges off of Darcy and has achieved her happy ending, the character is a totally featureless block of wood. He's a perfect Tuxedo Ken doll for the audience to project whatever man they want onto. Not only is his sublime, unwavering love and support for Elizabeth irritating, it actually makes the movie actively worse.

While Darcy's actions are causing problems for Elizabeth, they're actions that are so clearly morally "good" that it's hard to care. And in every scene they have together they constantly profess their love and mutual respect and immediately apologize for the way they've been acting, pushing the tension the film has built right back to zero. I was literally more interested in the romance between Elizabeth's sister and some dude who I've surely forgotten from the first movie, and they collectively have about three-quarters of a scene in this, in which they do absolutely nothing.

The back-breaking lengths this movie goes to avoid conflict are truly staggering.

So Marrying Mr. Darcy is a failure as a narrative, and being what it is, it's also a failure as an aesthetic object. From the lighting (even the outdoor scenes are lit like they're inside a Macy's) to the production design (Darcy's New York apartment has a roaring fireplace in mid-June) to the acting (at best, they're a fast asleep Frances Fisher, at worst they're cold automatons petting doggies without a hint of affection), every element fails to achieve even the basic competency one expects from a TV movie.

The wedding cake the happy couple eventually chooses is "vanilla buttercream with white ganache drizzle," the revolting blandness of which reflects how insipid and unchallenging this entire affair is. I get that that's exactly what Hallmark is going for with their movies, so I guess they get top marks for that. If you want an endless parade of women sitting on cushy chaise longues with champagne flutes clutched in their talons, boring handsome men who are full of empty flattery and refuse to take their shirts off, and a misunderstanding-based plot that wouldn't pass muster in a sitcom, then this is the movie for you. And I get being in the mood for that. But this is not what I'm looking for from a movie, not now, not ever.

TL;DR: Marrying Mr. Darcy is a tedious, atrocious slog.
Rating: 2/10
Word Counter: 947
Other Films Based on Pride and Prejudice
Pride and Prejudice (Leonard, 1940)
Pride and Prejudice (miniseries - Langton, 1995)
Bridget Jones's Diary (Maguire, 2001)
Pride & Prejudice: A Latter-Day Comedy (Black, 2003)
Bride & Prejudice (Chadha, 2004)
Pride and Prejudice (Wright, 2005)
Unleashing Mr. Darcy (Winning, 2016)
Pride and Prejudice and Zombies (Steers, 2016)
Before the Fall (Geisler, 2016)
Marrying Mr. Darcy (Monroe, 2018)
Christmas at Pemberley Manor (Theys, 2018)
Pride, Prejudice, and Mistletoe (McBrearty, 2018)

Tuesday, May 8, 2018

Reviewing Jane: I Love You, Most Arf-ently

In which we review (almost) every film adapted from or inspired by the works of Jane Austen, as I read through her extended bibliography for the first time.

Year: 2016
Director: David Winning
Cast: Cindy Busby, Ryan Paevey, Elizabeth McLaughlin
Run Time: 1 hour 24 minutes
MPAA Rating: TV-G

After almost two centuries of comfortable, quiet general admiration of her work, the world spontaneously decided to go absolutely nuts over Jane Austen in the mid-1990's. Not that I mean to discount her massive importance in the literary sphere, but it was honestly a little inexplicable and random how it happened. However, now that it's here, it certainly doesn't show signs of stopping anytime soon. As recently as two years ago, there were no fewer than four of said adaptations within a matter of months!

Of course, the Hallmark Channel had to get in on this enduring trend, so they got their grubby little hands on one of the many many many Jane Austen reinterpretations (see: fanfiction) that have been published in the intervening decades, and thus Unleashing Mr. Darcy was born.

Don't get too excited. That title is just a dog show pun, he's not gonna become like the Incredible Hulk or anything.

The plot of this movie should be pretty familiar at this point, but as with any modernization of a classic novel, it's always interesting to see how characters get chopped and screwed, remixed, and decontextualized, much like the same year's Before the Fall. Of course, given how the back of the DVD credits the illustrious "Jane Austin" for its source material, maybe the changes happened just because they didn't actually read Pride and Prejudice that closely (more evidence to the fact: There is a character named Mr. Bingley, but he shows up as a featured extra for one scene, and the guy who falls for the older sister is in fact somebody completely different).

Nevertheless, have a plot this movie does, as brutally simplistic as it might be. High school history teacher/dog show contestant Elizabeth Scott (Cindy Busby) has been suspended from her job after Grant Markham (Ken Tremblett), who is - and I quote - "a lobbyist for Wall Street," attempted to bribe her to give his lacrosse jock son a bette grade. His wife is on the Board, so Elizabeth certainly has a right to distrust rich people, wouldn't you think?

Enter Donovan Darcy (Ryan Paevey), a dog show judge whose brusque and businesslike treatment of Elizabeth's dog Bliss. He's unbearably sexy (though only shirtless in one scene, because Hallmark likes to waste my time), but she finds his behavior and wealth distasteful. Unfortunately they are thrown together quite a lot when she take a job as a dog handler for her friend Gabrielle (Elizabeth McLaughlin). Thus begins a "romance" where Donovan acts out a hilariously transparent female fantasy - at one point he literally pays her to play with puppies - and Lizzy snipes at him constantly. Seriously, she is so mean for zero reason.

The biggest obstacle to their burgeoning love - other than how horrifically brutal she treats him - is his aunt Violet (Frances Fisher), who dearly wants to force him to marry his best friend's sister Felicity (Courtney Richter).

Their relationship makes no sense, but you can't just go around trying to get cousins to marry each other anymore, so I DO get why they changed this particular part.

I always think watching a Hallmark movie will be a hilarious good time, but then I remember that I'm confusing it with Lifetime. The soapy drama and sublimated sexual fervor of the latter makes for some highly stimulating trash. Hallmark, unfortunately, is only committed to toothless, run-of-the-mill trash, which just isn't the same.

There are a few spurts of campy fun - mostly whenever Frances Fisher is onscreen, turning up to devour the scenery and crank the drama up to 11 in her cream-colored turtleneck - but Unleashing Mr. Darcy is mostly a repetitive slog that fails to recreate anything remotely recognizable as human behavior. Seriously, I can't get over how brutal this Lizzy is to this Darcy. The proportions are all off: She's more Lizzy Borden than Lizzy Bennett. His offenses are too slight to deserve a movie's worth of disdain, and her constant mockery of him completely ignores every action he's ever performed.

She's attempting to push back against a wholly imaginary straw-man character she has created in her head, to the point that the movie feels less like a romance and more like a psychosexual horror film about a paranoid schizophrenic.

Actually, that's not a bad idea... Fetch my script-writing pen!

And obviously, with the exception of Frances Fisher, the acting just isn't up to snuff. Cindy Busby fails to find a character in the ball of simpering aggression that is Lizzy Scott, and all the women around her seem to have been directed to talk... As slowly... As possible. Paevey is perfectly fine, as the Darcy role pretty much requires any actor to glower sexily and be completely impenetrable. As far as that goes, he does the job, although nearly every line out of his mouth comes at a machine gun pace, as if he's making up for the time we lost with everybody else. And as for the dogs? They're cute I guess. I'm not a dog person, and clearly neither is anybody else in the movie given their stiff, reluctant handling of the poor creatures. It's OK though, because the movie forgets it was ever about dogs about 35 minutes in.

The gentle thrum of mediocrity that is Unleashing Mr. Darcy might not provide the dramatic heights I was hoping for, but at least there are a few satisfying filmmaking lows. Between the classroom set that is clearly a Hallmark Channel office conference room tot he fact that roomfuls of white people feel compelled to clap every time Lizzy and Darcy kiss. This isn't the worst way to while away the time riffing with some friends, though there's obviously much better material to do this with. But if you have the same Venn diagram of Jane Austen fandom and bad movie love as I do, you might as well see if it captures your interest. It's short as hell, at least.

TL;DR: Unleashing Mr. Darcy is a tragically mediocre feature, but that's only right given that it's a Hallmark TV movie.
Rating: 5/10
Word Count: 1063
Other Films Based on Pride and Prejudice
Pride and Prejudice (Leonard, 1940)
Pride and Prejudice (miniseries - Langton, 1995)
Bridget Jones's Diary (Maguire, 2001)
Pride & Prejudice: A Latter-Day Comedy (Black, 2003)
Bride & Prejudice (Chadha, 2004)
Pride & Prejudice (Wright, 2005)
Unleashing Mr. Darcy (Winning, 2016)
Pride and Prejudice and Zombies (Steers, 2016)
Before the Fall (Geisler, 2016)
Marrying Mr. Darcy (Monroe, 2018)
Christmas at Pemberley Manor (Theys, 2018)
Pride, Prejudice, and Mistletoe (McBrearty, 2018)